Today's meeting started at about 4:30pm, briefly going over the proposal and the foundation for this research project, making certain it was a valid effort. We pooled our ideas together with the laying out of the Hypothesis for this documentary. The most flexible Hypothesis came from Sherrece, which read - Popular Beaches are the only one to be mentioned. Perfect if you ask me...kudos to Sherrece.
At present we are holding onto the to title of the 10 minute documentary-HIDDEN TREASURE- Beaches. The groups idea is to primarily pull this off as series with its first episode to be featured would be on beaches.
Tonight the group also discussed our choices for Literature Review(from Magazines, Tourism Publications, and the world wide web). Some of the Literature Review resources may also be sourced from the National Library.
Discussions also arose about the methodology/ies that would be administered to gain data on this project. So so far interviews, vox pops and surveys are the mentioned forms so far for this production.
God willing we have another scheduled meeting tomorrow continue to fine tuning the developments.
READINGS:Tonight I googled some information on the role of the Sound Operator and found the information below at this link: http://www.careers.govt.nz/default.aspx?id0=61103&id1=J38822
Sound Operator (Radio/Film/Television) - Job outlook
What are the chances of getting a job?
Sound operation is a small occupation, so it can be difficult to get into. Only 98 people were employed in the role in 2006.
Opportunities for radio sound operators are very limited, though opportunities for film and television sound operators are a little better.
Many radio broadcasters or producers taking on sound operation
Opportunities for radio sound operators have decreased as technology has become easier to use, and budgets have tightened. Increasingly, radio broadcasters and radio producers at commercial radio stations are also doing sound operation, reducing demand for sound operators. Most remaining radio sound operator jobs are at larger commercial radio stations, and stations that are part of the Radio New Zealand network.
Overall, the radio broadcasting industry has been declining, with the number of workers falling by 9% between 2008 and 2009.
Opportunities in television steady, despite camera operators taking on sound work
Opportunities for television sound operators are more stable, but are also being affected by changing industry practices. Television camera operators are increasingly taking on sound operating and lighting duties. While large well-funded productions, such as reality television programmes, still employ a separate sound operator, smaller ones combine roles to save money.
However, this trend is largely countered by the growing amount of television programmes being made in New Zealand, so sound operator jobs in television are relatively stable. In 2008, 11,600 hours of local television content were aired, up from 6,185 in 2000.
Growing number of locally made films influencing opportunities for sound operators
Opportunities for sound operators in film are better. Film productions tend to require people in specialised roles, such as sound operator, because quality is particularly important.
Although it has fluctuated, the overall number of feature films made in New Zealand has been growing. In 2008, 20 feature films were made in New Zealand, equal only with 2003, when the local film industry experienced a major peak.
What types of employers can I work for?
Radio sound operators may be employed by:
radio networks such as Radio New Zealand, Radioworks or The Radio Network
community, student or iwi radio stations.
Most film and television sound operators work on a freelance basis. They may work for:
television networks such as Mediaworks, Sky or TVNZ
production companies such as Greenstone Pictures or Park Road Post Production.
What are the chances of getting a job?
Sound operation is a small occupation, so it can be difficult to get into. Only 98 people were employed in the role in 2006.
Opportunities for radio sound operators are very limited, though opportunities for film and television sound operators are a little better.
Many radio broadcasters or producers taking on sound operation
Opportunities for radio sound operators have decreased as technology has become easier to use, and budgets have tightened. Increasingly, radio broadcasters and radio producers at commercial radio stations are also doing sound operation, reducing demand for sound operators. Most remaining radio sound operator jobs are at larger commercial radio stations, and stations that are part of the Radio New Zealand network.
Overall, the radio broadcasting industry has been declining, with the number of workers falling by 9% between 2008 and 2009.
Opportunities in television steady, despite camera operators taking on sound work
Opportunities for television sound operators are more stable, but are also being affected by changing industry practices. Television camera operators are increasingly taking on sound operating and lighting duties. While large well-funded productions, such as reality television programmes, still employ a separate sound operator, smaller ones combine roles to save money.
However, this trend is largely countered by the growing amount of television programmes being made in New Zealand, so sound operator jobs in television are relatively stable. In 2008, 11,600 hours of local television content were aired, up from 6,185 in 2000.
Growing number of locally made films influencing opportunities for sound operators
Opportunities for sound operators in film are better. Film productions tend to require people in specialised roles, such as sound operator, because quality is particularly important.
Although it has fluctuated, the overall number of feature films made in New Zealand has been growing. In 2008, 20 feature films were made in New Zealand, equal only with 2003, when the local film industry experienced a major peak.
What types of employers can I work for?
Radio sound operators may be employed by:
radio networks such as Radio New Zealand, Radioworks or The Radio Network
community, student or iwi radio stations.
Most film and television sound operators work on a freelance basis. They may work for:
television networks such as Mediaworks, Sky or TVNZ
production companies such as Greenstone Pictures or Park Road Post Production.